Category Archives: Creative History

Style, Story, History

  ‘Crafting metaphors is dangerous for historians’ proposes Will Pooley. We are wary of metaphor—and other stylistic devices too—because the ‘clarification and illustration’ we use to build historical analysis might ‘fade into simplification and emplotment’—into chronology and cliché—narrative history, God forbid, rather than conceptualization and nuanced interpretation.   But Will is being provocative, for even […]
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Blogging Our Criminal Past, part 3: Public and Creative History

By blogging for a public audience, historians of crime are contributing to popular representations of the ‘criminal’ past, from the many websites, dramas and ‘true crime’ books devoted to notorious cases and neighbourhoods, to the discovery of criminal ancestors in shows like Who Do You Think Your Are? and Secrets from the Clink, to museum […]
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Blogging Our Criminal Past, part 2: history turned upside down?

Blogging carnivals, like those hosted by Sharon Howard, began to appear in the early 2000s. The carnivalesque is a suggestive way of thinking about the transformative potential of social media. By orchestrating multiple voices blogging has a levelling effect, breaking down traditional hierarchies separating amateur and professional, young and old, new and established, theorist and […]
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Slow Blogging

I did not set out to blog slowly. Today the blogosphere is one of the most productive and inspiring places for writers and researchers to think and work. For historians, like me, and scholars of all varieties, it’s a space for the rapid exchange of ideas and exploratory drafts, for thinking aloud, and quick-fire responses […]
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